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Recording or Producing Your Own CD Manchester CT

Any other issues that I should be concerned about in recording or producing my own CD in Manchester? Definitely. Other keys points you'll want to cover in your agreements include: (1) Copyrights: The most important thing is to ensure in all arrangements that you retain your copyrights.

Howard M Wood III
860-643-1136
773 Main Street
Manchester, CT
John G Tunila
860-643-2181
1091 Main Street
Manchester, CT
David A Golas II
860-646-4545
945 MAIN ST STE 306
MANCHESTER, CT
Victoria L Juliano
860-646-1974
45 HARTFORD TURNPIKE PO BOX K
VERNON, CT
William A Leone
860-528-2145
33 CONNECTICUT BOULEVARD PO BOX 280225
EAST HARTFORD, CT
Andrew Ewalt
(860) 643-2501
945 Main Street, Suite 208
Manchester, CT
Michael Martin Darby
860-643-1136
773 Main Street
Manchester, CT
Barry W Botticello
860-646-3500
202 West Center Street
Manchester, CT
Michael A Bars
860-646-1974
45 HARTFORD TURNPIKE PO BOX K
VERNON, CT
Gregory F Arcaro
860-659-0700
2252 MAIN ST
GLASTONBURY, CT
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Recording or Producing Your Own CD

Any other issues that I should be concerned about in recording or producing my own CD?

Definitely. Other keys points you'll want to cover in your agreements include:

(1) Copyrights: The most important thing is to ensure in all arrangements that you retain your copyrights. Make it clear in the studio or producer's agreement that you are keeping your copyrights to all your songs, even if the engineer or producers (if any) help you write and arrange part of your material. Hold on to 100% of your copyrights.

(2) Masters: Make sure you put in writing your ownership rights to the "masters." Unless there is money owed to the studio, engineer, or music producer, you should have them immediately "deliver" the masters to you.

(3) Bandmember Agreements: If the musicians are part of a band agreement, ensure compliance with that contract. There may be a provision in the contract on who personally retains the"masters", and the studio should know that in advance.

(4) Sidemen Agreements: If outside musicians ("sidemen") are used to help record, there should be a written agreement indicating this between the artist/band and the sidemen.

(5) Mechanical Licenses: If you plan to re-record "cover" songs or somebody else's copyrighted works, you need to obtain a license to get the right to record other musicians' compositions. You do this by contacting either the writers of the songs and/or their music publisher. Once you identify them, negotiate a "mechanical" license, which gives you the right to record the song.

(6) Engineers: You will want to ensure you have a qualified engineer on the boards.

(7) Producers: Unless your CD will be self-produced, equally important is ensuring you or your studio has an experienced and qualified producer. If a producer is contemplated, determine which party will provide the producer (you or studio). All parties (artist, studio and producer) should have written agreements between themselves delineating their respective rights and responsibilities. If the studio provides the producer, inquire about their experience and track record, and expressly identify any extra producer fees.

(8) Duplication: As with the other possible separate services, decide which facility will replicate your masters. It is usually economically advantageous to go to an outside professional duplicating company (e.g, Discmaker).

(Reprinted with permission of Ruben Salazar , Esq.)

Copyright 2009 Advice Company - All Rights Reserved.

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